Werewolves

Werewolves of Miller’s Hollow

I’ve had a thing for werewolves for a long time so it’s no surprise that I’m obsessed with this nifty little game. It can be difficult to gather enough people to play, but once that’s done, you’re guaranteed a new bunch of converts.

A fun party game for 9 to 18 players, Werewolves of Miller’s Hollow is a modern version of the traditional game of Mafia, with a fantasy twist.

All you really need is one person who knows the game well enough to act as narrator and a room large enough for players to sit in a circle. After the players are given a secret identity each, the game begins with a Night turn, then alternates between Days and Nights as the Werewolves attempt to eat their way through the villagers before being found out and the villagers desperately try to stay alive by enacting mob justice.

During Night turns, the Werewolves strike, the special characters spy, fall in love, brew remedies or evil potions and the honest villagers shudder in their beds, hoping not to be eaten. During the Day turns, Werewolves, magical beings and simple humans alike assemble to grieve for the slain and exact vengeance on the evil that plagues the land. The entire village debates the events of the night, spreading rumours and flinging accusations about, until the people’s righteous anger focuses on one likely culprit, whom they lynch in the hope of stopping the Werewolves for good.

Of course, special characters and Werewolves have to lie a lot and everyone has to participate (or they’ll be deemed ‘too quiet to be innocent’) but not be too vocal (or they’ll ‘sure have a lot to say, for someone who claims to be an honest villager’).

Werevolves cards

I love that this game forces players to create a story, often much more complex and interesting than the basic instructions the narrator has to give out. Players have to develop a bit of a character for themselves, take turns being narrator, imbuing the story with their unique style and ultimately providing this game with a ton of repeat value.

Last time I played, one of the narrators set the game in the Firefly ‘verse and called the Seer ‘River’. The Witch became ‘the Doctor’ and the Werewolves were basically hidden Reavers. The analogy may not work perfectly, but we all got massively into it.

So if you’ve never tried Werewolves, grab yourself a bunch of mates and a copy of the game (or make one, instructions here), dim the lights and get playing!

books2

Unread Books Guilt

Turns out I have to move in a few months’ time.

This coming on the heels of my New Year’s Resolutions to read more and discover new authors made me reconsider all the tsundoku I’ve been doing for years.

What is ‘tsundoku’ you ask?

Award-winning author Lauren Beukes tweeted about this fantastic Japanese word. Surely we need a word for that in English, right?

Tweet Lauren Beukes

I’m very, very guilty of buying books that sound great and adding them to my ever-growing collection of books that sound great. Of course I read some and I start even more, but many remain unread. Inevitably, I forget that they’re there and just buy some more.

Now that the terrifying prospect of piling all of my beloved books into boxes once again looms on the horizon, I know I’ve got to do something drastic. I hate the idea of downsizing my bookshelves, but how dumb is it that some of my books came with me from France four years ago, were subsequently moved twice, are about to move a third time and I have not read them yet?

On my To-Read List for the next few months:

booksFor The Win and Down and Out in the Magic Kingdom by Cory Doctorow
I ordered a couple of Doctorow’s books after reading his novel Little Brother, which I absolutely adored.

Druide by Oliver Peru, Gagner La Guerre by Jean-Philippe Jaworski
When I visit my parents, we always end up visiting the nifty, giant independent bookshop in the next town over from them. This never ends in small purchases.

Elantris by Brandon Sanderson, Partials by Dan Wells
I’m a regular listener of Writing Excuses, the weekly writing advice podcast Sanderson and Wells are hosts on, so I was curious to read more of their work and keen to support them.

The Demon’s Watch by Conrad Mason
A YA debut with cross-dressing and pirates, with a sequel out in a few months! Must get to reading this one.

Also on the list: China Mieville’s Kraken, William Gibson’s Neuromancer, Mark Haddon’s A Spot of Bother, Neil Gaiman’s American Gods and Anansi Boys, Joseph D’Lacey’s Meat, Lazette Gifford’s Writing Science-Fiction & When It Changed, and anthology of essays on Sci-Fi.

I can’t be the only one with a book-buying problem. Let me know, what’s in your stack of unread books and how do you plan to tackle it?

Writing

Writing Goals for 2013

As a great lover of lists, particularly To-Do ones, I love the New Year.

It’s time to look back over the past year (pretty good, all things considered), and set myself some goals for the coming 12 months.

I’ve started a list of Things To Do in 2013 over at DayZeroProject.com, including some writing goals.

Finish the first draft of The Paradise Swarm
This is my main objective for the year. As I currently only have 8,000 words done out of a planned 90,000, it’s going to be tricky and take some serious work, but I’m going to give it a go anyway. I’m hoping to write 2,000 words a week in order to finish the draft by October and be ready to start something new for NaNoWriMo.

Write 10 pieces of flash fiction
As much as I want to plough on with The Paradise Swarm, I’ve been wanting to write more short form. Ten stories of less than a thousand words (that’s one a month until NaNoWriMo) should be easy enough to manage in terms of word count, but still a good exercise.

Complete NaNoWriMo
This will be my sixth year entering, and hopefully my fifth win. I’m slowly but steadily getting better at balancing being a Municipal Liaison for a busy city and writing a first draft in a month, so I’m sure 2013 will be a great Nano.

Maintain blog and post regularly
I don’t write very fast and tend to second guess a lot of what I put down on the page as I write it. Blogging has been a great way for me to practice writing in a more fluid manner, so I definitely want to do more of that.

Also on my long list: Read 52 books (I’ve attempted it for the past couple of years and only barely managed it in 2011) and Attend writing group regularly (I’ve already started doing that, but I’m seeing the benefits so clearly I want to make sure I keep going).

hobbit

The Hobbit: An Unexpected Journey

SPOILERS for the film & the first third of the novel will happen, but I’ll stay away from spoilers for the conclusion of the story.

First, I thoroughly enjoyed myself. There were a lot of things I really liked about this first instalment, most of them to do with its execution. It was filmed beautifully and as I saw it in 2D, I didn’t have to worry about the whole 3D HFR debate.

The Hobbit is basically all I loved about the Lord of the Rings – New Zealand is still magnificent, the costumes, props, sets and special effects are still top-notch, the battle scenes are still amazing, and the casting is still spot-on – only with a less doom and end-of-the-world feeling to it.

It was great to see some of my favourite scenes from the book on screen, but some of the additions and changes felt clumsy. It obviously strains under all the setup it has to do for the next two instalments, and is definitely a ‘Part One’ film.

I was mostly distracted by the differences in tone throughout. The film kept going back and forth between tough war scenes (displaying Thorin as Hollywood’s mandatory Hot Tragic Hero) and cheap fart-and-burp jokes (aimed at the younger audience). I couldn’t take the tragedy seriously on the heels of ‘Look, the Troll’s bum smells’, and I ended up rolling my eyes at moments that were meant to be moving.

 

My Favourite Bits

Martin Freeman’s Face
Bilbo
His facial expressions, his posture and acting – everything he does is just right. He’s such a perfect choice for the part and I know I’ll see the film again mostly for his superb portrayal of the Hobbit. It’s really sad when an adaptation doesn’t do justice to a much beloved character and this is the direct opposite. I loved him before, I love him even better now. Badass Martin Freeman, FTW!

Gollum! Gollum!

GollumGollum was awesome. I loved the whole sequence, from Bilbo hiding under giant mushrooms to his leaping over Gollum to escape the cave. The little tweaks they made were well chosen – I particularly liked the waistcoat buttons. I loved that they still kept a few of the riddles before ‘What do I have in my pocket?’, developing a sense of danger as the riddles get tougher. There were also great additions like Sting’s glow extinguishing when Gollum killed the goblin and the ring slowly falling onto Bilbo’s finger in a clear call-back to the same shot in The Fellowship of the Ring.

Gollum was, as ever, suitably creepy and I had no difficulty in believe Bilbo would spare his life out of pity. Although Gandalf’s advising Bilbo that ‘Courage is also in knowing when not to take a life, but when to spare one’ felt really on the nose.

 

The New Stuff

The Bad Guys

I was ambivalent about the White Orc Azog, who beheads Thorin’s grandfather Thror. There is good narrative value in having a villain more immediately threatening than Smaug (currently hibernating under piles of Dwarven gold Scrooge-McDuck-style), but I thought his obsession with obliterating the line of Durin didn’t really make sense. I also wondered why the Orcs had to have a spooky Orc-tongue with subtitles when the Goblin had no problems speaking English in funny accents. And why did Bilbo charge straight into Azog’s midriff? If you’re going up against a huge monster they call ‘The Defiler’ and you have an invisibility ring, use it!

The third antagonist introduced was ‘The Necromancer’, who may or may not be Sauron (it wasn’t very clear, but that might have been intentional). Now in the book, Gandalf tells Thorin fairly early on that it was this Necromancer who imprisoned, tortured and killed his father, Thrain. Understandably, Thorin is sad and upset and I could have used that emotion from him, instead of his usual cold anger. It would also have tied in the Necromancer material with the rest of the film, instead of it being a rather strange and puzzling side bit.

The Good Guys (and Saruman)

Gandalf discusses the issue at length with the White Council, who don’t want to let him investigate. I wasn’t invested in the conflict at all, as it didn’t tie in properly with the rest of the plot and we know that Gandalf will research the Necromancer whether Saruman like it or not. It’s fun to see known characters again, but that was definitely when the film felt longest to me.

Radagast

Another addition was Radagast, the Brown Wizard, who is not only the Doctor, but also saves his pet hedgehog from certain death in his first (really long) scene. I was a bit distracted the streak of dried bird poo down his face, but he was good fun to watch, if a bit OTT. His scene being chased by the Warg-mounted Orcs was so comical it wasn’t scary any more.

 

The Nitpicking

An Info-Dumpy Prologue

We’re shown the dragon Smaug attacking the Dwarves’ mountain and forcing them into exile, with a sneak peek at the Arkenstone and Legolas’ father Thranduil (both will be important later on). It makes sense to add a battle scene or two to the less-than-action-packed first half of the film, but I’m not sure that right off the bat was the most effective place for it. Rather than showing Thorin’s past as a tragic hero, then Thorin himself, cold and arrogant, why not start by showing his less likeable traits and then revealing the source of his anger and determination? I wish I’d been allowed to see Bilbo’s reaction to Thorin’s tale.

Why the conversation between Bilbo and Frodo, and why talk about the Sacqville-Bagginses? They won’t need foreshadowing or an introduction to be funny if and when they show up later on. The name dropping made the fangirl in me squee, but the scene just felt too long. If they were trying to establish a connection between The Hobbit and the Lord of the Rings trilogy, why not focus on Gandalf and Bilbo’s early interactions? I would have liked to see Bilbo inviting Gandalf for dinner the next day as he does in the book, rather than Gandalf leaving without a word, only to return with thirteen really quite rude house guests.

Shouldn’t I LIKE the Dwarves?

I hated what they did with the Dwarves when they first visit Bilbo. People around us in the cinema were laughing at their hijinks but I couldn’t see the funny. How am I supposed to blame Bilbo for being unhappy about strangers raiding his food stores and messing up his house? Loud and boisterous is one thing, acting like jerks is another.

The Hobbit: An Unexpected JourneyThirteen Dwarves surely eat enough that Bilbo would have been annoyed without them being so completely rude. By comparison, the scene where the Dwarves do the dishes singing and throwing plates around was lots of fun and gives me a reason to like them because they’re helping out.

Bilbo and his guests are supposed to be enjoying their dinner together, and I wish that had made it past the promo shots.

It will be interesting to see what the film-makers do with the idea that Thorin’s cousin Dain refused to join the quest, given that the character appears towards the end of the novel. Of course, I expect the Dwarves to succeed in their battles in this first half because I know who makes it to which part of the novel later. So I’m not surprised when they turn out to be massive bad-asses in battle, but their victories would be less ridiculous if Thorin hadn’t taken pains to say that the Company only has a couple of good fighters in it, the rest being only good at eating and drinking.

 

Wrapping Up

I really enjoyed the film, but I do think they stretched it too much. Two three-hour films or three two-hour films would have been fine, but nine hours total is just pushing it. Perhaps the better format for the story would be a mini-series, but a TV budget wouldn’t allow for such breath-taking execution. Will most definitely see again, hopefully next week with my Mum, who read me The Hobbit in the first place.

Hobbit1

The Hobbit: Then and Now Again

When my brother and I were small, my mother read us The Hobbit, and then the Lord of the Rings before bedtime.

If the goal was to get us to sleep (as she claimed it was), then it failed rather tremendously. We got fired up at the story and us pleading for ‘One more page!’, ‘Two more!’, ‘To the end of the chapter, pleeease!’ became a nightly occurrence.

I started reading under the covers with a flashlight, thinking I was sneaky.

However, I don’t doubt for a second that her ulterior motive was to get us wildly hooked on stories for life, and in this she was very, very successful. We became unrepentantly voracious readers and though she did have to spend rather a lot of money on books, I think she was quite pleased with herself on that front.

The Hobbit is one of the first stories I can remember being told, but I hadn’t heard it in a very long time, nor ever read it on my own. When Peter Jackson’s Lord of the Rings came out I read the trilogy for myself (in French, as well as chosen passages in English), but for some reason, I never did the same with The Hobbit.

So I decided to splash out and get the audiobook for The Hobbit in anticipation of the first film. I also got the new starter set of table-top miniatures from Games Workshop, because I do like things which are tiny and paintable. Also goblins are cool. I have goblins now.

About the audiobook, first I was really annoyed with Audible.com for splitting the book into two parts, each priced at one full credit. As a subscriber, I pay about $15 a month for one credit, which normally buys me one full book. As in one full Connie Willis or Frank Herbert book. Brandon Sanderson’s The Well of Ascension is 29 hours long, and it was one credit. The Hobbit’s audiobook is ‘only’ 11 hours long, making each part among the very shortest audiobooks I own.

I ended up paying for the two parts of the book with dollars rather than credits. I do get a subscriber’s discount, so it was only about $18, but that is quite steep for a regular book, and it is more than I already pay monthly as a subscriber. Yes, Peter Jackson is making three movies and we’ll have to shell out for a 3D ticket each time, but at least there I can see the added value (sets, costumes, props, makeup, etc…). I trust I’ll get something breath-taking for my money, whereas as good as this audiobook was, I really don’t see anything that qualifies it to be pricier than Dune, which is more than twice as long.

Grating pricing strategy aside, I truly enjoyed the book. I didn’t remember most of the story, so I had a lot of fun rediscovering it. The premise for Bilbo accompanying the dwarves was a bit silly (there are thirteen of them, so they need a fourteenth of their company to avoid ill luck) but I was excited enough to just roll with it.

I enjoyed Bilbo’s character very much, particularly his food-related pragmatism (I think I may be a Hobbit at heart) and the difficult decision he makes throughout. I found him a lot more relatable than Frodo, probably because he is able to retain a sense of humour at this point. The ring later spoils him a bit too, as seen in that really creepy scene in the Fellowship when Ian Holm’s Elderly Bilbo wants to keep the Ring for himself.

Rob Inglis’ narration was top-notch, his voice and accent suited Tolkien’s grand use of language perfectly. I am a total sucker for his old-fashioned turns of phrases and his omniscient, fourth-wall-breaking point of view. Inglis also did all the songs wonderfully. A lot of people seem to complain about the songs throughout The Hobbit and the Lord of the Rings, but they’ve always been a special treat for me, especially in the English versions. The low chorus of the dwarves in the trailer for An Unexpected Journey gives me goose bumps every time.

So, on the whole, I’m very happy that I took the time to rediscover the book before going to see the film. And I am so, SO VERY EXCITED for it!